Is Svalbard Still Worth Visiting? What the New Polar Bear Rules Mean for Wildlife Photography
- Paul Anderson
- 5 days ago
- 6 min read

By Paul Anderson — Nature & Wildlife Photographer
There’s a quiet tension in the Arctic, a sense that anything could emerge from the fog at any moment. When I returned from Svalbard this past August, the first question friends and potential workshop guests asked was almost always the same:
"With the new polar bear restrictions, is it still worth going?"
It’s a valid question. For years, photographers traveled here chasing iconic, close-up polar bear portraits. Today, regulations enforce distance. Approaching bears on land is limited, and zodiacs can’t drift within meters of them as they once did.
But Svalbard’s allure extends far beyond these restrictions. If anything, it has made the Arctic feel more alive, more wild, and more rewarding. For photographers willing to embrace the landscape, the light, and the unpredictability of nature, Svalbard remains unmatched.

The Guillemots, Puffins, and Arctic Life
During my workshop, we spent a day at one of Svalbard’s largest black guillemot colonies. Thousands of birds swirled in the air above the cliffs, their cries punctuating the Arctic silence. Young birds made their first tentative flights — some gliding out to sea, others falling prey to gulls or intercepted by Arctic foxes darting along the rocks. It was an intimate look at the precarious balance of life and death — a photographer’s dream for storytelling images.


Later, we visited a puffin colony, one of the few accessible in late August, where visitors can walk among the birds in surprising numbers. Here, photography became both technical and visceral. Some shots demanded long lenses; others allowed me to use my Canon 24–70mm, capturing puffins at arm’s length, birds in flight, and the delicate interaction of these iconic seabirds with their rugged environment.


And that’s only part of Svalbard’s offering. Walrus haul-outs, Arctic foxes patrolling the beaches, and ever-changing landscapes — ice meeting mountains, endless fjords, and glaciers — all provide endless photographic opportunities. Here, wildlife is inseparable from landscape, and the scale of the world’s third-largest ice sheet reminds you why this place is extraordinary.





Polar Bears in the Wild
Even under the new rules, polar bears remain the pinnacle of Svalbard’s wildlife experience. On land, we captured bears as environmental subjects — small figures against vast expanses of ice and snow, a perspective that emphasizes scale and habitat rather than proximity.

Yet it was further north, 2.5 days into the pack ice at 83° North, where the Arctic revealed its true spectacle. There, free from territorial limits, we witnessed twelve polar bears gathered around a narwhal carcass, feeding, interacting, and moving across the ice as if choreographed by the land itself. The scene was both chaotic and serene, a moment of life and survival at the very edge of the world.
One encounter stands out: a bear wandering close to our vessel. Through the porthole, I stared into its eyes — roughly ten feet away. It wasn’t threatening; it was intimate, humbling, and completely unforgettable. These are the moments that make the patience, planning, and uncertainty of Arctic photography worth every hour.





Svalbard vs. Churchill: A Photographer’s Choice
Many compare Svalbard to Churchill, Canada, in terms of polar bear photography. Churchill offers reliability and up-close portrait opportunities — the bears are accustomed to human presence, and encounters are predictable.
Svalbard, however, is about true wilderness. It’s about the unpredictability of life on the ice, the interplay of landscape and wildlife, and the broader Arctic ecosystem. One day it’s bears, the next it’s walrus, puffins, or Arctic foxes — each encounter a story waiting to be told. Photographers who embrace patience and respect for wildlife find Svalbard infinitely more rewarding for both images and experience.

Why Svalbard Remains One of My Top Photography Destinations
For me, Svalbard continues to be one of the top wildlife photography destinations in the world. Its combination of wildlife, landscape, and light challenges you to see creatively, shoot thoughtfully, and tell stories beyond simple animal portraits.
I’ll be returning next August for two more workshops, and the anticipation is already palpable. Every trip is different, every encounter unique, and every moment a reminder of the magic of the Arctic.
Svalbard may have changed, but it remains a place where patience is rewarded, stories unfold naturally, and the Arctic still surprises. For photographers seeking more than just a photo — for those seeking immersion, adventure, and the rare thrill of true wilderness — Svalbard remains irresistible.

Paul Anderson is a wildlife and nature photographer specializing in immersive photography workshops worldwide. From Alaska to Borneo to the Arctic, he guides small groups to experience and capture wild places ethically and responsibly
Instagram @paulanderson_photography






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